WSA2000 - A wedding Part 2
Posted by: Josh Stone in Alternate Meat Source, Hill's Fine Meat, Jessica 3000, Josh, White Slave Act of 2000“Please take her with you, and have her prepped on your machine for immediate spitting after the happy couple enters the hall for the reception.”
With that he handed me the leash for Dianna.
“Well, we’ve got about 3 hours. How do you want to spend your last hours?”
She looked up at me “I’ve got a choice?”
“Not really. At least for you, they bought the whole package. Which means your going to be tortured, then raped. Tell you what. I’ll decide on how I torture you based on how good the blow job you give me is.”
What I didn’t tell her was that it was going to be an inverse relationship. The better the blow job, the worse the torture.
Did I mention I love my job?
I took her out to the truck, attached her leash to the slave post, then started the procedure to unload the Jessica 3000 from the back. This particular Jessica 3000 is one of the mobile units. After getting it down, I unhooked her from the post, grabbed a whip from the back of the truck and told her to start pushing the Jessica to the hall.
She looked at me. “It’s not bad enough that I’m going to be killed today, but I have to do the work as well?”
I looked at her. Then landed a hard lash across her left tit. She yelped, then started pushing the Jessica towards the building. I landed another across her back. “Faster slut! Faster!” She all but broke into a run. Of course, because we do this all the time at Hill’s Fine Meat, as she pushed the Jessica 3000, the wheels started to resist. We installed a system so that the brakes automatically started to apply and got stronger the farther you pushed the machine. As she slowed down, struggling to push the increasingly immobile killing machine, I caught up with her, landing 2 or 3 lashes across her back “Faster! Move it! Push you slut!”
By now the brakes were fully applied. She was leaning hard into it, trying to move it, while I lashed her back. Then, suddenly, the brakes released. The Jessica 3000 went flying forward and she fell on her face. “You better get your ass up slut!” She got up and started to push it towards the building again. Of course the brakes started applying again. More lashes to her ass. More screaming, more falling on her face. It took 3 cycles of the braking system for her to get it into the building. By that time she had received well over 60 lashes, and was pretty close to passing out.
And I hadn’t even started the torture part yet.
May 25th, 2007 at 3:53 am - Edit
(This is retrieved, revised, and improved from an earlier post since it may apply here. Josh’s story mentions multiple snuffings, so hope arises in the deviant, perverted mind that a firing squad post and slug catching plate in transportable form might be among the paraphernalia in coming events.)
THE FOLLOWING IS A NASTY FANTASY TO FORWARD TO THE APPROPRIATE SCENE OR AUTHOR
Somewhere I cannot now find, there was mention of a new setup on a torture and snuff site: a firing squad set. That is intriguing and offers some potential for refinements and requirements. I’d like to suggest some.
The small space inherent in a studio or audience venue dictates use of small low velocity ammunition for a prolonged scene not hazardous to the camera crew or audience. The backup “wall” would be crisp - not hard - and permeable so the early or errant shots not lodging in the girl’s body will pass through the first wall surface and strike the large steel plate set at a 45 degree angle above the final sand pit below.
The low velocity bullets could be 27 or 32 caliber, hollow point or tumbling to produce evident and cumulative damage without immediate deadly force. Tumbling may be preferable since it would leave a more traceable trail for later removal in the meat preparation phase. If such preparation is of less importance - as implied by Josh’s narration - the explosive effect of the hollow point ammo should have more audience appeal.
The victim’s post should be of dark wood or composite material of sufficient strength to withstand repeated use but not so hard as to pose
a threat of ricochets. The post could have underarm supports over which the girl’s arms are drawn back and fastened so that, if her legs give way in the process, she will stay in substantially the same position. The base of the post could be on a rotating platform, 360 degrees, so that, for example, from a straight ahead position she could be rotated about 40 degrees to either side to present the farther breast in profile for destructive attention without terminal consequences to the nearby heart or lungs.
Similarly, when she is rotated to face away from the marksmen, exposing her arms and hips to their fire, they could damage those portions of her body exposed to their destructive fire. If her ankles are also fastened to the side or rear of the post, they too could receive attention and damaging fire.
Back to the front but angled, her thighs and crotch could be targeted without immediately ending her life.
As far as placement of the camera crew and /or audience, with respect to the firing squad. it would be best to see their view, so they should be centered, in line with but a bit above the sight lines of the shooters.
Regarding the firing procedure, it may be best to use serial fire - one at a time - to prolong the process for maximum effect, targeting non-vital body parts. One neat guide could be initial pasting or pinning a heart-shaped target on that spot so as not to destroy it until the end.
Probably best not to shoot her face at all, since snuffing a pretty lady is the whole point. Well, if care is exercised, maybe her ears just before the end.
As far as desirable degree of head restraint is concerned, I’d suggest limited movement side to side and forward and back to help display effect upon her. As far as gagging procedure, a large but soft (so as not to distort her features too much) ball gag without additional tape enables shrieks, screams, and drooling without much articulation - a generally desirable effect for this fantasy. If she should pass out in the course of the scene, stimulus darts, electric shock jolts, or smelling salts might be employed.
May 25th, 2007 at 4:23 am - Edit
Josh the Job Lover has not specified whether Dianna is nude and cuffed, which might add a bit of color to the account. We could assume she is naked since that is the norm for transported slaves. The cuffing question has an effect on her manner of pushing the Jessica 3K. No cuffs means easier pushing; cuffed in front impairs push directon control and leaves her back open for the lashing but also lets her cushion her fall whem the brakes release. Maybe we should infer that she is cuffed behind and pushing with her shoulders, not her back, permitting both the lashing and falling on her face, which we hope is only scratched.
May 25th, 2007 at 6:58 am - Edit
2 comments of my own here:
1) Adjutant, I’m planning on a shooting scene later in this series.
2) Dianna is nude, but not cuffed.